Duff Music: Blues Power - Texas Boogie: Stevie Ray and the Shuffle

Wednesday, February 1, 2012

Blues Power - Texas Boogie: Stevie Ray and the Shuffle

Stevie Ray Vaughan earned respect as both a blues and rock player-a musician who could bridge the two worlds in a single solo. As with all great guitarists, his rhythm playing was as strong as his leads. He excelled at a style of shuffle playing that has its roots in earlier players, yet he was able to turn it into a personal trademark. This column is dedicated to Stevie's memory.

Click below for lesson.

Blues Power - Texas Boogie: Stevie Ray and the Shuffle

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Influential Records

Hound Dog Taylor and the HouseRockers is the 1971 (see 1971 in music) debut album of Theodore Roosevelt "Hound Dog" Taylor. Cub Coda of Allmusic describes it as "wild, raucous, crazy music straight out of the South Side clubs", and calls it "one of the greatest slide guitar albums of all time".[2] The Penguin Guide to Blues Recordings describes its sound as "loud, harsh, boxy and exciting".[3] Originally issued on LP as the first release on the Alligator label, it has subsequently been reissued on CD. As well as being Taylor's debut album, Hound Dog Taylor and the HouseRockers was the first release on the Alligator label. The label was founded by Bruce Iglauer for the specific purpose of releasing an album of Taylor's music after he had been unable to persuade Bob Koester, then his boss at Delmark, to record Taylor.[4] The album features only three musicians: Taylor himself on vocals and slide guitar, Brewer Phillips on guitar and Ted Harvey on drums. For solos, the two guitarists alternate between playing lead and accompanying the other guitarist. The record sold 9,000 copies in its first year, a large number for a blues record on an independent label, and by 1998 had sold around 100,000 copies. At the time of the recording, Taylor was playing locally in taverns, but the higher profile the album's success gave him enabled him to obtain work further afield, eventually touring as far away as Australia.[5]

Jailbreak is the sixth studio album by Irish hard rock band Thin Lizzy, released in 1976. This album proved to be the band's commercial breakthrough in the US. The singles include "Jailbreak" and "The Boys Are Back in Town", the latter being Thin Lizzy's biggest hit. Initially, the song "Running Back" was chosen to be a single ahead of "The Boys Are Back in Town", the latter being seen as possibly too aggressive for some radio stations to play. Frontman and songwriter Phil Lynott and producer John Alcock decided to employ session musicians to add more commercial elements to some of the tracks to try to produce a hit single, and Tim Hinkley was brought in to add keyboard parts to "Running Back".[1] Guitarist Brian Robertson was against the idea, as he liked the song as it had originally been arranged, in a blues format with his own additions of piano and bottleneck guitar. He later said, "I took enormous offence to [the changes]. I couldn't understand why they'd pay this guy a fortune just for playing what he did. Listen to it and tell me it's not bollocks."[1] Robertson did not play on the finished version of the song and Hinkley is not credited on the album sleeve. Lynott said at the time that "Running Back" was "very much influenced by Van Morrison. I really like that song."[1] Thirty-five years later, Robertson recorded his own versions of the song on his 2011 album Diamonds and Dirt. On the original vinyl release of the album, the back cover included a short story, this is also reprinted inside the new deluxe edition. The following is that short story, reprinted in its entirety:
"THE JAILBREAK The Warrior locked himself into his video scanner and gazed throughout the Universe...until he came upon Dimension 5.
DIMENSION 5 was now in the hands of the Overmaster, whose lust for ultimate power had become an obsession. Religion and the media were all under his control and computer files were kept on all known persons within the city zones.

Many were arrested and jailed.
It was therefore significant that The Jailbreak represented a freedom for so many yet those involved at the time it was a series of events, the outcome of which no-one could have foreseen. The plan was simple. By knocking out the alarm systems in a riot, they then would cause an explosion which would blow half the cell blocks away. Outside help came from an organisation known as Phono-Graphics, who if the plan was successful would eventually capitalize on the whole project.
The night of The Jailbreak all hell broke loose. A Red Alert was issued by the Overmaster himself. Robot trackers, military police, dogs and all available vehicles were on the hunt. All were caught except four, who made it to the Rampic Buildings on the south side of the city. It was in these buildings that they broadcast and recorded selected material, some of which still survives today. Through these recordings they built up a following who eventually took to the streets in what was to become the Final War. The Warrior had become weary and disillusioned with war, but seeing how the people struggled to be free he knew once again he must raise up his sword...
The music sailed out into the night then upward towards the skies, traveling on that thin border between reality and imagination."

Wanted! The Outlaws is an album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released in RCA Victor in 1976, and consisting of previously released material. Released to capitalize on the new outlaw country movement, Wanted! The Outlaws earned its place in music history by becoming the first country album to sell a million copies. The original liner notes were written by Chet Flippo, a contributor to Rolling Stone, and offer a short introduction and some praise on each artist involved with the project.
The album quickly reached #1 on the country charts and peaked at #10 on the pop charts, with two hit singles released, "Suspicious Minds" and "Good Hearted Woman." The two peaked at #2 and #1, respectively, both featuring Jennings. Wanted! The Outlaws was reissued on CD on RCA Records in 1996 with ten bonus tracks. Only one of these, Steve Earle's "Nowhere Road", had previously been unreleased.

The guitar is a plucked string instrument, usually played with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.
Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique.
Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.

Dub mac Maíl Coluim (Modern Gaelic: Dubh mac Mhaoil Chaluim),[1] sometimes anglicised as Duff MacMalcolm,[2] called Dén, "the Vehement"[3] and Niger, "the Black"[4] (died 967) was king of Alba. He was son of Malcolm I (Máel Coluim mac Domnaill) and succeeded to the throne when Indulf (Ildulb mac Causantín) was killed in 962.
While later chroniclers such as John of Fordun supplied a great deal of information on Dub's life and reign, including tales of witchcraft and treason, almost all of this is rejected by modern historians. There are very few sources for the reign of Dub, of which the Chronicle of the Kings of Alba and a single entry in the Annals of Ulster are the closest to contemporary.
The Chronicle records that during Dub's reign bishop Fothach, most likely bishop of St Andrews or of Dunkeld, died. The remaining report is of a battle between Dub and Cuilén, son of king Ildulb. Dub won the battle, fought "upon the ridge of Crup", in which Duchad, abbot of Dunkeld, sometimes supposed to be an ancestor of Crínán of Dunkeld, and Dubdon, the mormaer of Atholl, died.
The various accounts differ on what happened afterwards. The Chronicle claims that Dub was driven out of the kingdom. The Latin material interpolated in Andrew of Wyntoun's Orygynale Cronykl states that he was murdered at Forres, and links this to an eclipse of the sun which can be dated to 20 July 966. The Annals of Ulster report only: "Dub mac Maíl Coluim, king of Alba, was killed by the Scots themselves"; the usual way of reporting a death in internal strife, and place the death in 967. It has been suggested that Sueno's Stone, near Forres, may be a monument to Dub, erected by his brother Kenneth II (Cináed mac Maíl Coluim). It is presumed that Dub was killed or driven out by Cuilén, who became king after Dub's death, or by his supporters.
Dub left at least one son, Kenneth III (Cináed mac Dub). Although his descendants did not compete successfully for the kingship of Alba after Cináed was killed in 1005, they did hold the mormaerdom of Fife. The MacDuib (or MacDuff) held the mormaerdom, and later earldom, until 1371.

The Fender Stratocaster, often referred to as "Strat", is a model of electric guitar designed by Leo Fender, George Fullerton, and Freddie Tavares in 1954, and manufactured continuously by the Fender Musical Instruments Corporation to the present. It is a double-cutaway guitar, with an extended top horn for balance while standing. The Stratocaster has been used by many leading guitarists and can be heard on many historic recordings. Along with the Gibson Les Paul, the Gibson SG and the Fender Telecaster, it is one of the most common and enduring models of electric guitar in the world. The design of the Stratocaster has transcended the field of music to rank among the classic industrial designs of all time; examples have been exhibited at major museums around the world.[7]
In its original form, the Stratocaster was offered in a 2-color sunburst finish on a solid, deeply contoured ash body, a one-piece maple neck with 21 frets, black dot inlays, and Kluson machine heads, until 1956, when Fender started making bodies made from solid alder.[8] There was also a set of available custom colors that wasn't standardized until 1960. These custom colors were mostly automobile lacquer colors made by Dupont and could be had for an extra 5% cost. The single-ply, 8-screw hole white pickguard was a unique concept that allowed all of the guitar's electronic components—except the recessed jack plate—to be mounted on one easy-to-remove surface. Subsequent Stratocaster designs (by both Fender and other imitating companies) may have improved upon the original in usability and sound, but vintage Fender models are still often worth large amounts of money, and many prefer the timbre of older models.
The Stratocaster has been widely copied; as a result, the term "Strat," although a trademark of Fender Musical Instrument Corporation, is often used generically when referring to any guitar that has the same general features as the original, regardless of manufacturer.

Drum Kit

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The drum kit

1 Ride cymbal 2 Floor tom 3 Toms
4 Bass drum 5 Snare drum 6 Hi-hat
Other components
Crash cymbal China cymbal Splash cymbal Sizzle cymbal Swish cymbal Cowbell Wood block Tambourine Rototom Octoban Hardware
A drum kit (also drum set,[1] or trap set) is a collection of drums, cymbals and often other percussion instruments, such as cowbells, wood blocks, triangles, chimes, or tambourines, arranged for convenient playing by a single person (drummer).
The individual instruments of a drum-set are hit by a variety of implements held in the hand, including sticks, brushes, and mallets. Two notable exceptions include the bass drum, played by a foot-operated pedal, and the hi-hat cymbals, which may be struck together using a foot pedal in addition to being played with sticks or brushes. Although other instruments can be played using a pedal, the feet are usually occupied by the bass drum and hi hat, and as a result the drummer often plays in a seated position. Percussion notation is often used by drummers to signify which drum set components are to be played. A full size drum set without any additional percussion instruments has a bass drum, floor tom, snare drum, tom-toms, and a variety of cymbals including hi-hat cymbals, ride cymbal and a crash cymbal.
Various music genres dictate the stylistically appropriate use of the drum kit's set-up. For example, in most forms of rock music, the bass drum, hi-hat and snare drum are the primary instruments used to create a drum beat, whereas in jazz, ride and snare patterns tend to be more prevalent and the hi-hat is played by the foot. In the 2000s, an increasing number of drummers have begun to use electronic drum pads which trigger synthesized or sampled drum sounds.
Drum kits have ranged in size and components from old style jazz/dance hall kits through to modern rock/techno kits.

Bagpipes have a long history, dating back to the Celts. The origin of pipe bands is more frecent and were first receorded in the 1700's, from that time on pipers were seen as key to boosting troop morale and the first time a piper was officially receognised was in 1679.Following the battle of Culloden the victorious Hanoverians banned bagpipes, this was as the same time that the wearing of tartan was always banned.Playing military pipes was seen as on a par with any the role of any other member of the regiment - highlighted by the sentencing to death of a piper in the regiment captured during the 1745 uprising.'a Highland regiment never marched without a piper...therefore his bagpipe, in the eye of the law, was an instrument of war'So what music did military pipers play - there were three types of 'pibrochs' (tunes) - martial, for the battlefield, marches for soldiers on the move and laments for funerals. Many of the pibrochs were inspired by famous battles in particular the Jacobite Rebellion. As such some tunes are linked to certain regiments.
In 1840, the popularity of military pipe bands was given a boost - Queen Victoria's enthusiasm for all things Highland was behind the War Office's decision to provide each of the Highland Regiments five pipers and a Pipe Major. Pipe bands grew in reputation both at home and abroad a positive image of Scotland. During the First World War pipers were banned from playing in the trenches, however many disobeyed this order and were killed along side their comrades. Military pipers were also present in more recent conflict includig the Gulf war. Today pipers in the army are also required to take on a secondary role in the army, such as a medic.Today military pipe bands, also referred to as 'pipe and drums' have expended and are common outside of the military and thousands of civilian pipe bands have sprung up all over the world
Pipe band proficiency is typically measured in grades from 1-4. With grade 1 the highest level and grade 4 the most basic

or training level. Traditional Pipe bands are made up of a section of pipers, a section of snare drummers, several tenor drummers and a single bass drummer.Countires that have strong cultural links to Scotland such as America, Canada and Australia also have a 1000s of pipe bands which celebrate thier shared celtic heritage.At the annual World Pipe Band Championships pipe bands from around the world come together to perform. The Edinburgh Tattoo is also a key fixture for pipe bands - military bands from around the world play together to create a magnificent sound and spectacle.An important part of playing in a pipe band is the specific dress that is worm, this allows members to feel part of Scottish Heritage and the impressive look of the uniform adds to the spectacle.

The Fender Telecaster, colloquially known as the Tele (pronounced /ˈtɛli/), is typically a dual-pickup, solid-body electric guitar made by Fender. Its simple yet effective design and revolutionary sound broke ground and set trends in electric guitar manufacturing and popular music. Introduced for national distribution as the Broadcaster in the autumn of 1949, it was the first guitar of its kind to be produced on a substantial scale. Its commercial production can be traced as far back as March 1950, when the single- and dual-pickup Esquire models were first sold. The Telecaster has been in continuous production in one form or another since its first incarnation.[1]

Bass Guitar

The bass guitar[1] (also called electric bass,[2][3][4] or simply bass; pronounced /ˈbeɪs/, as in "base") is a stringed instrument played primarily with the fingers or thumb (either by plucking, slapping, popping, tapping, or thumping), or by using a plectrum.
The bass guitar is similar in appearance and construction to an electric guitar, but with a longer neck and scale length, and four, five, or six strings. The four string bass—by far the most common—is usually tuned the same as the double bass,[5] which correspond to pitches one octave lower than the four lower strings of a guitar (E, A, D, and G).[6] The bass guitar is a transposing instrument, as it is notated in bass clef an octave higher than it sounds (as is the double bass) to avoid excessive ledger lines. Like the electric guitar, the electric bass guitar is plugged into an amplifier and speaker for live performances.
Since the 1950s, the electric bass guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While the types of basslines performed by the bass guitarist vary widely from one style of music to another, the bass guitarist fulfills a similar role in most types of music: anchoring the harmonic framework and laying down the beat. The bass guitar is used in many styles of music including rock, metal, pop, ska, reggae, dub, punk rock, country, blues, and jazz. It is used as a soloing instrument in jazz, fusion, Latin, funk, and in some rock and heavy metal styles.

Saxophone

The saxophone (also referred to as the sax) is a conical-bore transposing musical instrument that is a member of the woodwind family. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. The saxophone was invented by the Belgian Adolphe Sax in 1841. He wanted to create an instrument that would both be the most powerful and vocal of the woodwinds and the most adaptive of the brass, which would fill the then vacant middle ground between the two sections. He patented the sax in 1846 in two groups of seven instruments each. Each series consisted of instruments of various sizes in alternating transposition. The series pitched in B♭ and E♭, designed for military bands, has proved extremely popular and most saxophones encountered today are from this series. A few saxophones remain from the less popular orchestral series pitched in C and F. These instruments never gained a foothold in the orchestral world. Although the C-melody was quite popular in the late 20's and early 30's as a parlor instrument it never gained a legitimate standing. Instruments keyed in F are rare.
While proving very popular in military band music, the saxophone is most commonly associated with popular music, big band music, blues, early rock and roll, ska and particularly jazz. There is also a substantial repertoire of concert music in the classical idiom for the members of the saxophone family. Saxophone players are called saxophonists.

Waylon Jennings

Waylon Arnold Jennings (June 15, 1937-February 13, 2002) was an American country music singer, songwriter, and musician. He rose to prominence as a bassist for Buddy Holly following the break-up of The Crickets. Jennings escaped death in the February 3, 1959, plane crash that took the lives of Buddy Holly, Ritchie Valens, and J.P. "The Big Bopper" Richardson, when he gave up his seat to Richardson who had been sick with the flu.[1] Urban legend and Hollywood folklore have it that Jennings and The Big Bopper flipped a coin for the last seat on the plane, with Jennings losing. It was, in fact, Tommy Allsup [2] who flipped the coin for the fated plane trip, losing his seat to Valens.[3]
By the 1970s, Jennings had become associated with so-called "outlaws," an informal group of musicians who worked outside of the Nashville corporate scene. A series of duet albums with Willie Nelson in the late '70s culminated in the 1978 crossover hit, "Mammas Don't Let Your Babies Grow Up to Be Cowboys." In 1979, he recorded the theme song for the hit television show The Dukes of Hazzard, and also served as the narrator ("The Balladeer") for all seven seasons of the show.[4]
He continued to be active in the recording industry, forming the group The Highwaymen with Nelson, Johnny Cash, and Kris Kristofferson. Jennings released his last solo studio album in 1998. In 2001, he was inducted into the Country Music Hall of Fame.[5]

Contributing Authors

Matt Coffman, Alen Keenan, Jim Welcsh, Ali Razaa, Erica Mills, Elia E. LEVI, Neil Griffin, Jack Mack, berkleemusic.com, Steve Bass, Taylor Benjamin, Raphael Manning, Bob Molton, David O Giles, Kareem Buchanan

Leo Fender

Clarence Leonidas "Leo" Fender (August 10, 1909 – March 21, 1991) was an American inventor who founded Fender Electric Instrument Manufacturing Company, now known as Fender Musical Instruments Corporation, and later founded MusicMan and G&L Musical Products (G&L Guitars). His guitar, bass, and amplifier designs from the 1940s continue to dominate popular music more than half a century later. Marshall, Mesa Boogie, most boutique amplifier companies and many other guitar amplifier production companies have used Fender instruments as the foundation of their products. Leo Fender is regarded[who?] as one of the most influential figures in the development of electric instruments in the 20th century.

Clarence Leonidas Fender was born on August 10, 1909, to Clarence Monte Fender and Harriet Elvira Wood, owners of a successful orange grove located between Anaheim and Fullerton, CA.
From an early age, Leo showed an interest in tinkering with electronics. When he was 13 years old, his uncle, who ran an automotive-electric shop, sent him a box filled with discarded car radio parts, and a battery. The following year, Leo visited his uncle's shop in Santa Maria, CA, and was fascinated by a radio his uncle had built from spare parts and placed on display in the front of the shop. Leo later claimed that the loud music coming from the speaker of that radio made a lasting impression on him. Soon thereafter, Leo began repairing radios in a small shop in his parents' home.
In the spring of 1928, Leo graduated from Fullerton Union High School, and entered Fullerton Junior College that fall, as an accounting major. While he was studying to be an accountant, he continued to teach himself electronics, and tinker with radios and other electrical items. He never took any kind of electronics course while in college.
After college, Fender took a job as a deliveryman for Consolidated Ice and Cold Storage Company in Anaheim, where he later was made the bookkeeper. It was around this time that a local band leader approached Leo, asking him if he could build a public address system for use by the band at dances in Hollywood. Fender was contracted to build six of these PA systems.
In 1933, Fender met Esther Klosky, and they were married in 1934. About that time, Leo took a job as an accountant for the California Highway Department in San Luis Obispo. In a depression government change-up, Leo's job was eliminated, and he then took a job in the accounting department of a tire company. After working there six months, Leo lost his job along with the other accountants in the company.